Anyway, his secret contact to this group turns out to be a mysterious woman, Fiona (one of my favorites, Vera Farmiga), who, after a bit of subterfuge, reveals to him that she specifically targeted him to find out what it's like to be paralyzed because she, too, wants to be in a wheelchair. They begin a flirtation that, at first, is uncomfortable for Isaac. But eventually he is seduced by her beauty and kookiness (that's the only way I can describe it -- and Farmiga, with her crazy eyes and could-snap-at-any-time-ishness, does it so well.) Their relationship leads directly to a significant change in Isaac's life, followed by some other less amazing but equally significant revelations about Fiona and her particular psychoses.It's a short, quiet film, that is essentially a personal drama about trauma and guilt, but at times has the feel of a Shyamalanesque psychological thriller. The performances are strong: Stahl plays the level-headed sympathetic lead with nuance, and Farmiga sways from sensitive and sweet to maniacal and scary with realism. Overall, Quid Pro Quo is worth seeing, and represents a promising start for first time writer-director Carlos Brooks. B
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